What’s nice about this technique is its simplicity and flexibility. You can have as many or as few tiles as needed, and you can change the font color or messaging very easily. It’s one of those simple but effective techniques that works perfectly as an additional design element.
Stephen Burns discusses the new mixer brush in Photoshop and how it can be used to create a brush from an image with full color properties and luminance values.
This is a cool grid effect I did back in my first book, Photoshop Down & Dirty Tricks for Designers, and I thought it lent itself nicely to a wedding-themed design. With a few updated tricks for this technique, you can definitely have some fun with your wedding images.
Create a type effect to go along with the pirate theme for Photoshop World 2014. While finding a swashbuckler-looking font was pretty easy, I also wanted the type to have a very textured, rusty appearance, as if it were a piece of iron or steel that had been exposed to the elements of the high seas for an extended period of time.
Daniel Bryant shows how he re-created the movie poster for Skyfall. He covers selections, creates a black-and-white image, and uses a Levels adjustment, layer styles, and layer masks to capture the style of the original.
This tutorial will show you how to create cutout text from a shape, then style it to give it a grungy, marble-like look using layer styles and a couple of textures.
Several years ago, Adobe had an interesting little application called Adobe Dimensions. This standalone program was limited yet powerful, as it could create 3D PostScript vector art, which could be imported into Illustrator or Photoshop to create interesting 3D effects.
Creating a thought-provoking photo composite doesn’t always have to be a labor-intensive affair. Sometimes it can be as simple as adding a mask and painting with a soft black brush to blend two images. In this tutorial, we’ll explore how to take a simple concept and quickly fashion it into a compelling composite.