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perspective_type_layers

Perspective for Type Layers

Photoshop’s Transform> Perspective command is grayed out when you have a type layer active in the Layers palette. That gives you a choice of rasterizing the type layer or not using the Perspective transformation. Or does it? What if you could add perspective to type without rasterizing the type layer…? “Perspective.” It adds depth to the artwork, the idea that the object extends into the distance. In nature we see perspective primarily through a decrease in size the farther the object is from us.

In Photoshop, we make a selection and use the Edit> Transform> Perspective command. Click on a corner anchor of the bounding box and drag to adjust the shape of the object. Which corner – and whether you drag in or out – determines the “distance” you add to the artwork.

NOTE: When you use a Transform command, you’re resampling the selection, changing the number of pixels used to reproduce that part of the image. Photoshop uses the resampling algorithm specified in Preferences> General for Image Interpolation. This can degrade the appearance of the selection. Generally speaking, the Bicubic algorithm is acceptable. If you will be reducing the number of pixels by dragging inward, Bicubic (Sharper) is a good choice.

Okay, then, what about working with a type layer? The Transform> Perspective command isn’t available for a type layer. You can, of course, rasterize the type layer (converting the editable vector type into a mass of pixels) to create perspective. However, once you do, you can no longer edit the text as type (selecting characters and over-typing them, for example, or changing the color of the type).

You can add a perspective to a type layer using the Type Warp option. (Open Type Warp by clicking the button to the right of the color swatch in the Options Bar when the Type tool is selected.) Set the Bend field to zero, then adjust the Horizontal Distortion or Vertical Distortion field to simulate perspective. (It doesn’t matter which of the warp styles is selected.) It’s not as accurate as rasterizing and using Transform> Perspective, but it’ll present the appearance while leaving the type layer fully editable.

Posted by Peter Bauer

Peter Bauer is the author of seven books on Adobe Photoshop, Adobe Illustrator and digital photography, and has contributed to a number of other books. His latest Photoshop book is Photoshop CS2 for Dummies. Pete is also host of the training videos Photoshop Filters and Photoshop CS2 FAQs at Lynda.com. An Adobe Certified Expert (ACE) and recipient of the National Association of Photoshop Professionals (NAPP) Pioneer Award, he is a regular contributor to Photoshop User magazines and is a featured columnist for the computer graphics portal PlanetPhotoshop.com. As the Help Desk Director for NAPP, Pete personally answers tens of thousands of e-mail questions annually about Photoshop and computer graphics. Through his work with the NAPP Help Desk, he has contributed to and assisted on such projects as feature film special effects, major book and magazine publications, award-winning Web sites, and fine-art exhibitions.

4 comments on “Perspective for Type Layers

  1. That’s why it’s a “Tutorial” and not a “How-to”..

    Main Entry: tutorial
    Function: noun
    Date: 1923

    1 : a class conducted by a tutor for one student or a small number of students
    2 : a paper, book, film, or computer program that provides practical information about a specific subject

  2. Oh, come on, guys, this is a pretty cut’n'dry lesson, even for a relative beginner. I do, however, want to point out that this method doesn’t actually get you perspective like it says it does. The letters should get proportionately smaller as they fade. Here they just get shorter, maintaining their width. To make perspective look real, you’l justl have to rasterize. Or use Repoussé.