This can be done in either Camera Raw (part of Photoshop and Photoshop Elements) or Lightroom’s Develop module.
This retouch requires you to pick up one part of your image to cover up another part of it, and, of course, Lightroom doesn’t have any way to do that. But, luckily, this is the stuff Photoshop is made for. This technique is actually very simple and very quick, but has a big impact when it comes to your subject having perfect eyebrows every time.
The Iconfactory and Artis Software developed the first version of xScope for the purpose of designing layouts and measuring or inspecting onscreen graphics. This simple tool had only Ruler, Guide, Frame, and Screen modules that worked across all applications. Now there’s xScope 4, which truly enables a fluid workflow.
This one takes a few steps, but it’s not hard at all. In fact, it’s simple, so don’t let the number of steps throw you. Also, at one point it does have a teeny, tiny bit of blur in it, but not enough to hurt anybody.
Technically, you can remove some eye veins while you’re in Lightroom using the Spot Removal tool, but if you’ve ever tried it, it’s pretty tricky and the results are…well…let’s say there’s a reason we almost always jump over to Photoshop for a retouch like this.
This is an effect I get asked about a lot, because I use it a lot. The particular thing I get asked is, “How do you get that look where your image looks sharp, but soft at the same time?” Well, it’s actually really simple, but don’t tell anybody it’s this simple, because I’d prefer that people thought I had to pull off some serious Photoshop magic to make this happen. LOL!
In my quest for the Holy Grail of portrait-retouching effects, I sought a look that was crisp and chiseled, yet sleek and refined. This couldn’t be an ordinary effect; it had to be created nondestructively…
Athentech Imaging promises that with the Perfectly Clear 2 plug-in you can correct photos in much less time than it would take with Adobe Photoshop or Lightroom tools.