Each month we will select three different free tutorials from the Planet Photoshop collection. Your mission: watch the tutorials and create an original piece of work, inspired by one or more of the selected tutorials, and submit it to Planet Photoshop. Winners will receive a special prize from NAPP and will have their work displayed in our "Learn it. Do it. Win it." Gallery. Each month, we will issue new challenges, designate a new batch of tutorials and offer new prizes so be sure to check in often. It’s great to learn when you win stuff too, right?
Watch these tutorials and create an original piece of work, inspired by one or more of the selected tutorials, and submit it to Planet Photoshop by Wednesday, June 24, 2009.
Thought we would start this contest series off with a bang and give away an exclusive prize package which includes:


Prizes will vary per contest so keep checking back.
Planet Photoshop is the Web's premier source for free Adobe Photoshop tutorials and brought to you by the National Association of Photoshop Professionals (NAPP). This is where we offer a small taste of what NAPP has to offer. Our mission: to educate and inspire other creatives through Photoshop. If you like what you see, please join us!
I used a combination of layer masks, smart blur, color range and gradients that I learned from Corey Barker's tutorial, Photo to Drawing, to create my own original piece. I experimented with a few layers of color and gradients as well as with the aid of the pen tool, to create the design shapes in the picture.
The tutorial on alpha channels made my day when I watched it and I decided to re-take that learned skill and apply it to my own creative twist. In this image I took the fiery inspiration from the glowing gel fire thingy. I used the alpha channel extraction technique to get all these smoke elements then with my background set it was just a matter of taking my theme: Fire elemental and making my model absorb all that fiery energy. I started blending her into the background by using a layer mask and the diverse smoke elements I extracted previously. then I used those same smoke elements to overlay the background and make a more realistic fire effect. Once the fire was nicely laid out I went on to retouching. With the retouching complete I added some extra lights and shadows which I learned how to apply after watching the "dancing with the stars" tutorial. And to wrap things up I had to have a powerful accent text. I went on and found that the simplest fire symbol is a circle and that was great since it would contrast the piece perfectly. And to ad the last touch of salt I added that final lens flare effect on the top left again by extracting the light information from a lens flare how you taught on a previous tutorial. And there you go Alpha channel's rock! They make masking so much fun and not only that you can save all your extractions as custom brushes so you can re-use them over and over again. Thanks for such great tutorials Corey.
When thinking of how to best combine the techniques of drawing to photo, smoke mask, and design swirls, I thought it would be interesting to have an image of a fighter that was blasting his way out of the design with some crazy comic book kung fu type of technique. The idea evolved into a tiger themed fighter with the ability to throw a punch that turned his fist into a fiery tiger. Who wouldn't want to be able to do that?
So using a stock image of a fireball and a tiger I was able to use the "Design with Alpha Channel" technique to create a glowing tiger shape at the end of teh fighter's arm. I used the "Photo to Drawing" technique to blend the image of the fighter into the canvas. I also included line drawings of a tiger head and lots of hand drawn tiger stripes to give a more complete theme to the design. The "Masking with Shapes" technique yielded the swirls seen along the parchment edges. I wasn't a fan of these at first, but I think they work well as a compliment to the tiger stripes.
Use Photoshop CS6 to create selective softening effects using the new on-screen Blur Filters. Mix and match among the three filters for a variety of depth-of-field and tilt-shift effects. Continue reading
This week Corey shows you how to take simple vector shapes and gives them life with 3D in Photoshop CS6. Using simple extrusions and lighting effects you can achieve a level of hyper-realism you never could before. Continue reading
Make your subject of your photograph stand out using dark edge vignettes. Continue reading
Lesa explores the new Content Aware Move tool in Photoshop CS6. Continue reading
Photo Retouch
Extended Definition ProcessingIf you have a multilayer composition and you
want to apply an effect to all the layers at once, don't flatten the layers--use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith