“Why do my RAW images look so much worse in Photoshop than they do in the Camera RAW preview window?”
We spend hundreds and thousands of dollars to acquire the sharpest lenses possible.
Last week we examined the nature of depth-of-field. Now let’s take a look at how depth-of-field can be applied practically and creatively.
When most digital photographers stray from Auto or Program exposure modes, it’s usually to the Shutter-Preferred mode to better stop action.
The city and countryside of Chartres, France, are dominated by the magnificent cathedral.
As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle.
Last week we learned how to use a Luminosity Mask (Command+Option+Tilde [~] or PC: Control+Alt+~) to emphasize highlight details in ultra bright situations such as snow on a Swiss Alp.
Tips and tricks are the trading cards of Photoshop.