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Tutorials | Page 25
Color Theory 101, Part 3
Ok, so we have now talked about colors that are similar. Now let’s talk about colors that are disimilar. To do so, let’s take another look at the color wheel. … Continue reading
Color Theory 101, Part 2
Last week we began talking about color theory and we discussed analogous color. Let’s talk about this more. Last week, we mentioned the beginning stages of what analogous color is. … Continue reading
Color Theory 101, Part 1
You may never think about color when you design. You may just think what looks good is what is good. Well think again, because it goes much deeper than that. … Continue reading
An Application That Has Me In Stitches
I first saw Realviz’ Stitcher (3.0 for the Mac) demonstrated at New York’s Mac World Expo. Ken Eyring, Realviz senior technical sales person, did a great job of putting this … Continue reading
Duotone vs. Multichannel, Part 2
In the first installment of this series, we looked at duotone color mode, how it works, and how you can control it. Now let’s explore the multichannel color mode, a … Continue reading
Duotone vs. Multichannel, Part 1
A great way to save on your printing costs is to use two inks instead of four. You can also produce some incredibly striking images, and some cool effects, for … Continue reading
Simple Photoshop Distortion Corrections
As a photojournalist, I’ve always been partial to my “normal” lens: the wide angle. Now, as a digital photojournalist, my wide angle attachment stays on my camera about 80 percent … Continue reading
Keeping Your Balance
Film photographers have always faced a balance challenge… color balance, that is. Print film technology in the past few years has improved the situation but transparency shooters are still faced … Continue reading
Focus on Sharpening, Part 3
In the first two parts of this series, we looked at the theory of sharpening and the commands and tool available in Photoshop. In this installment, we’ll look at some … Continue reading
Focus on Sharpening, Part 2
In the first installment of this series, we looked at the theory of sharpening and how it works. Now let’s take a look at the Sharpen filters and the Sharpen … Continue reading
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Photoshop Tutorials
Hollywood Touch-Ups
See how you can add some subtle touches to give that green screen studio shot the Hollywood treatment.
Flare Effects
Corey has a cool trick for creating a flare brush and see how one effect can lead to another.
3D Christmas Ornaments
Corey shows how to create reflective holiday ornaments using 3D in Photoshop.
Styles & Text
This week Corey has a tutorial using layer styles and text shapes to create energetic effects.
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CS6 Blur Tools
Use Photoshop CS6 to create selective softening effects using the new on-screen Blur Filters. Mix and match among the three filters for a variety of depth-of-field and tilt-shift effects. Continue reading
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High Roller 3D
This week Corey shows you how to take simple vector shapes and gives them life with 3D in Photoshop CS6. Using simple extrusions and lighting effects you can achieve a level of hyper-realism you never could before. Continue reading
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Dark Edge Vignette
Make your subject of your photograph stand out using dark edge vignettes. Continue reading
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Content Aware Move Tool in CS6
Lesa explores the new Content Aware Move tool in Photoshop CS6. Continue reading
Premium Video Tutorials From NAPP
Photo Retouch
Scott Kelby shows you how to take an overexposed photo into a great photo using Photoshop. Want Great Photoshop & Photography Skills?
Extended Definition Processing
Scott Kelby shares a technique he's been working on, which gives your final image an HDR look using just one photo.
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Smart Object Masking Trick
Dave Cross shares a trick he discovered that will help you remove white from around your subject when using smart objects.
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Light Painting
Dave Cross takes a popular trend - light painting - and shows you how you can paint text recreating this cool trend.
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Create A Composite Layer
If you have a multilayer composition and you
want to apply an effect to all the layers at once, don't flatten the layers--use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith
