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Using Blend Modes is a great way to get the layer you’re on to interact with the layers beneath it. The only problem is you don’t have much control over … Continue reading
If you’re using layer comps to compare different layouts within the same image, you can share these comps with people not on your network (or without access to your computer) … Continue reading
How do you apply a layer style to your Background layer? You can’t. That is, unless you double-click on your Background layer. This brings up the New Layer dialog where … Continue reading
You probably already know that you can apply styles to an image from the Styles palette, and you may even know that rather than just clicking on them, you can … Continue reading
To hide an individual layer, click on the Eye icon in the first column next to that layer in the Layers palette. To make the layer visible again, click on … Continue reading
When I’m struggling to get just the right effect by changing the layer blend modes, it’s great to be able to rotate through each mode without having to go back … Continue reading
You can lock all of your linked layers at once by choosing Select Linked Layers from the Layers palette’s flyout menu, then choosing Lock Layers from the same menu. They’ll … Continue reading
Once you’ve applied a layer style to a layer, if you need to access some related commands that are in the Layer menu, you don’t need to go up to … Continue reading
If you’re opening new documents and they don’t have a Background layer, there’s a reason (of course there’s a reason, everything has a reason; we just happen to know what … Continue reading
If you have a large multilayered file, you know it can take a while to open, and that’s fine—it’s part of working with large files. But sometimes you’re not going … Continue reading
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Use Photoshop CS6 to create selective softening effects using the new on-screen Blur Filters. Mix and match among the three filters for a variety of depth-of-field and tilt-shift effects. Continue reading
This week Corey shows you how to take simple vector shapes and gives them life with 3D in Photoshop CS6. Using simple extrusions and lighting effects you can achieve a level of hyper-realism you never could before. Continue reading
Make your subject of your photograph stand out using dark edge vignettes. Continue reading
Lesa explores the new Content Aware Move tool in Photoshop CS6. Continue reading
Photo Retouch
Extended Definition ProcessingIf you have a multilayer composition and you
want to apply an effect to all the layers at once, don't flatten the layers--use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith