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Make your subject of your photograph stand out using dark edge vignettes. Continue reading
Lesa Snider demonstrates two ways to create a black and white image from a color photo. Continue reading
This week Corey has another cool design trick for creating design elements using textures. Continue reading
Larry demonstrates how to retouch a portrait using the Dodge and Burn tools. Continue reading
Larry Becker goes over the abilities of the new content aware option when using the spot healing brush. Continue reading
Learn helpful tips and tricks in photoshop while making an a ad inspired by football season.
Corey creates a dramatic movie poster effect using composite images inside a silhouette.
Using a mixture of filters and blending modes, Corey takes a stock photo and transforms it into an old, classic 1950′s pin-up poster.
Use Photoshop CS6 to create selective softening effects using the new on-screen Blur Filters. Mix and match among the three filters for a variety of depth-of-field and tilt-shift effects. Continue reading
This week Corey shows you how to take simple vector shapes and gives them life with 3D in Photoshop CS6. Using simple extrusions and lighting effects you can achieve a level of hyper-realism you never could before. Continue reading
Make your subject of your photograph stand out using dark edge vignettes. Continue reading
Lesa explores the new Content Aware Move tool in Photoshop CS6. Continue reading
Photo Retouch
Extended Definition ProcessingIf you have a multilayer composition and you
want to apply an effect to all the layers at once, don't flatten the layers--use a composite layer instead. Hide the layers you want excluded, and press Shift-Command-Option-E (PC: Shift-Ctrl-Alt-E). A new layer will be created at the top containing a merged copy of all the visible layers.
Another option is to create a new layer at the top of the stack and make it active. Command-click (PC: Ctrl-click) each layer you want to include to make those layers active, as well. Press Option-Command-E (PC: Alt-Ctrl-E).
by Colin Smith